[ English ]

If you decide to use this approach you must have a vast bankroll and incredible fortitude to march away when you earn a small success. For the benefit of this essay, a sample buy in of $2,000 is used.

The Horn Bet numbers are surely not deemed the "successful way to play" and the horn bet itself carries a house edge of over twelve percent.

All you are gambling is $5 on the pass line and a single number from the horn. It does not matter if it is a "craps" or "yo" as long as you gamble it routinely. The Yo is more prominent with players using this scheme for clear reasons.

Buy in for $2,000 when you approach the table however only put five dollars on the passline and $1 on either the two, 3, eleven, or twelve. If it wins, excellent, if it does not win press to two dollars. If it does not win again, press to four dollars and then to $8, then to $16 and following that add a $1.00 each subsequent bet. Every time you do not win, bet the last bet plus a further dollar.

Adopting this scheme, if for instance after fifteen tosses, the number you wagered on (11) hasn’t been thrown, you likely should march away. Although, this is what might develop.

On the 10th toss, you have a total of $126 on the table and the YO at long last hits, you earn three hundred and fifteen dollars with a gain of one hundred and eighty nine dollars. Now is a perfect time to step away as it is more than what you entered the game with.

If the YO doesn’t hit until the twentieth toss, you will have a total wager of $391 and seeing as current wager is at $31, you come away with $465 with your profit of $74.

As you can see, using this scheme with just a $1.00 "press," your take becomes tinier the longer you wager on without winning. That is why you should march away after a win or you must wager a "full press" once again and then continue on with the $1.00 boost with each toss.

Carefully go over the data before you attempt this so you are very familiar at when this approach becomes a non-winning adventure rather than a profitable one.